![]() The only way to guarantee correct color from a tranny film is to shoot it in the studio where you can match the lighting exactly to the requirements of the film. Now, just because you are shooting tranny film doesn't mean the color will be right. It would be better to say that you are red-green deficient, and explain it as having a restricted color gamut. You can probably see some red and some green. It is extremely unlikely that you are actually red-green colorblind. Suggestions for minimizingįirst things first. I can at least do a 3-point match (I just don't know how reliant I I normally don't shootĪ grey card or other standard color targets. Good color management and don't mess with the color (only contrast,Ĭurves, etc.) that I will do the best I can. Someone red-green color blind + so that my color shots look faithful I have an EpsonĢ200 and I use the latest profiles for the Epson papers that I use. Over that hurdle and not just rely on Adobe Gamma. I need to step up with a measured monitor calibrationĪnd am looking for some suggestions on mid-range equipment to let me Purchased calibrated slides and use Vuescan to incorporate this Reason I love the blues from beach shots, etc. This in much of my landscape photography. ![]() but that isĪnother story!) Interesting thing is that I really don't realize The 60's when they just showed me a traffic light. (Of course, I remember my draft physical in IĪm not totally color blind but I will fail all but 1 of 5 of the I am red-green color blind and have known this for a long time. ![]()
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